Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Many contemporary thought leaders have spoken intriguingly about a future without Jesus or, to be more precise, a future in which the transcendent truths of the Christian faith hold little or no sway over society. More to the point, these thought leaders often pose as anthropologists who find Christianity dehumanizing…
Jeffery Bishop’s magisterial The Anticipatory Corpse concludes with a question: “Might it not be that only theology can save medicine?” 1 To that question I want to give not merely a general affirmation, but a particular affirmation. Not only can “only theology save medicine” but, in fact, only a biblical…
John Ahern recently made the case on this site for having shorter hymnals. “ I believe hymnals should be shorter than they are ”, he says. “ Much shorter. 100 hymns at most. ” Swap hymnal for “repertoire”, or “hymns” for “worship songs” and it all still applies. A big…
The Psalter is the hymnbook of the church. For too long, the psalter has taken a far-secondary place in the worship of God's people. And when psalms are sung, they are often changed drastically from what the Spirit gave us. In this course, Paul Buckley and Brian Moats will explore…
The Theopolis Institute is pleased to announce that Dr. Trevor Laurence is the winner of the 2021 James B. Jordan Prize for outstanding work in biblical theology. Dr. Laurence receives this award for his 2020 Exeter dissertation, “Cursing With God: The Imprecatory Psalms and the Ethics of Christian Prayer.” Laurence…
In late 2013 two nearly simultaneous events happened in evangelicaldom: Mark Driscoll was publicly accused of “plagiarism” and Ergun Caner was hired as the president of a Christian college. The first appears to be the first domino that would lead eventually to Driscoll resigning as the pastor of Mars Hill…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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