Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“And the streets of the city shall be full of boys and girls playing in its streets,” Zachariah 8:5. 1. Ultimatum game Ultimatum Game is an economic experiment. Its rules are simple: I will give you $100 as long as you give part of that money to the person next…
The Nephilim of Genesis 6 has been a topic of great speculation over the centuries. The word appears in Scripture two times, first in Genesis 6 and then in Numbers 13. There have been three major theories regarding the identity of the Nephilim : The Fallen-Angel Procreation Theory: this view…
Jesus on trial was silent before all His accusers, until the high priest said to Him: “I adjure you by the living God, tell us if you are the Christ, the Son of God.” (Matthew 26:63) The high priest commanded Jesus to declare clearly whether or not He was the…
Introduction In many ways I have been disheartened—and at times distraught—by how congregations across America have responded to Covid19, not in the first weeks when so much was unknown, but in the months since. I had, like most everyone, originally thought we'd be at home a few weeks, but from…
The dust settled as Yahweh clapped his hands together to knock off any remaining clumps of dirt and soil. He had just finished forming from the dust of the ground the crowning glory of his creation. There, lying lifeless upon the newly created earth, was the first image in Yahweh's…
When reading the Psalms Christologically, it is one thing to see the prefigured sufferings of Christ and the subsequent glories. But what do we do with the passages concerning recompense, judgment, or vengeance? Are we to also read these Christologically, or are these vestigial Old Covenant ways of thinking, fit…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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