Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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Early in his Tragic Sense of Life , Unamuno captures the profound connection between autonomy and tragic character in a passage of hyperventilating passion: “The visible universe, the universe that is created by the instinct of self-preservation, becomes all to narrow for me. It is like a cramped cell, against…
There’s something chiastic going on in 3:19-31 (or maybe 2:25-3:30). A. by works of law no flesh shall be justified, 19-20 B. Apart from law, righteousness of God is revealed, 21 C. righteousness through faith in Jesus—> for all have sinned, 22-23 D. being justified as a gift through Jesus…
A touch of Spenserian humor: Spenser has a witch create a false Florimell (Book 3) for her slothful and unattractive son, who is smitten with the beauty of the real Florimell. The witch uses materials from Petrarchan love sonnets to construct the lady ?Eactual lamps for eyes, actual golden wire…
Spenser might provide a Milbankian response to Milbank’s endorsement of homosexual sex and “threesomes.” In Book 3 of The Faerie Queene , Spenser’s heroine is Britomart, the lady knight who represents a militant chastity directed toward marital and sexual consummation rather than a fearful virginity that simply avoids sex. Britomart…
William Allan Oram in a book on Spenser writes that “one of the fruitful false etymologies of the Renaissance was the derivation of HERO from EROS: by this understanding, love does not hinder noble deeds but spurs them on.”
Also in the November 7 TLS (belatedly on my desk) is a review of Lukas Erne’s Shakespeare as Literary Dramatist , in which Erne challenges the popularly accepted notion that Shakespeare was writing for viewers rather than readers. He shows that plays were being written for publication in Shakespeare’s time,…
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