Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In Genesis One, God told Adam and Eve to "be fruitful and multiply, and fill the earth, and subdue it; and rule over the fish of the sea and over the birds of the heavens, and over every living thing that moves on the earth" (Gen. 1:28). In Christian worldview…
"And I also way to you that you are Peter, and upon this rock I will build My church; and the gates of Hades shall not overpower it" (Matthew 16:18). Matthew 16:13ff. has historically been one of the most oft-cited passages of Scripture. Throughout the Middle Ages, it was used…
One of the important themes of the synoptic gospels is Jesus’ rejection of Israel and the transfer of God’s favor to the New Israel, the Church. A clear statement of this theme is found in the parable of the vineyard owner in Matthew 21:33-46. Jesus explained the meaning of the…
11. There is a type of person [a generation] who curses his father, And does not bless his mother. 12. There is a type who is pure in his own eyes, Yet not washed from his filthiness [manure]. 13. There is a type — oh how lofty are his eyes!…
Under the Levitical law, whole-burnt offerings from the herd and flock had to be male. No such specification is made with respect to birds (cf. Lev. 5:7-10). Why did the Lord demand that only males be offered as whole-burnt offerings? The easy answer is that the whole-burnt offering typified Christ,…
Matthew 2:13-23 has a tripartite structure, reporting briefly three events of the early years of Jesus’ life. Matthew ends his narrative of each event with a "fulfillment formula." Jesus’ flight to Egypt and His Exodus back into Israel was a fulfillment of Hosea’s words, "Out of Egypt I call my…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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