Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
[This essay was originally published in 1988. Given the situation that our new national socialists are getting the world into, I thought it might be useful to reprint it here. – JBJordan] The Bible has quite a bit to say about gold, silver, and precious stones, and the Bible always…
I wrote this elsewhere and was encouraged to put it here. It is a comment on what a pastor is. Today, this is not very well understood, and God’s people suffer because of it. There are four professions: medicine, education, law, and religion. Each of these, when done at a…
James Jordan recently pointed out in private conversation how appropriate it is, in John’s Gospel, that Nicodemus is present both to ask Jesus about being born again, and to see Jesus re-enter the womb of the mother. Nicodemus rhetorically asks, “How can a man be born when he is old?…
This is a problematic and much discussed passage. I’ve been discussing it in another forum, and have decided to move it here and present some very preliminary observations about it. One large question is this: Who is the speaker here and what is his situation? Traditionally, the speaker is seen…
1. The current issue of The Magazine of Fantasy and Science Fiction includes a good fantasy novella by John C. Wright, who since his conversion has been writing Christianly. This is a fine fantasy with nods to C. S. Lewis and Antoine de Saint-Exupery, and probably Gene Wolfe as well.…
“It is an experience of our days that the spoken name of Jesus alone exercises an unforeseen power; and the effort which it cost to speak this name is perhaps connected to some faint apprehension of the power which is inherent within it. Wherever the name of Jesus Christ is…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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