Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why was Abel’s offering approved and Cain’s rejected? This question has been debated for many centuries. Some have argued that Cain’s offering was rejected because it was not a bloody offering; others that Cain’s offering was rejected because it was not from the firstfruits; others that Cain’s offering was rejected…
Last year I had occasion to work through the book of Luke as I did some work for one of my editorial clients, and this year my pastor has been preaching through Luke. Thus, I have twice been reminded of the Parable of the Unjust Steward (Luke 16:1-13), a parable…
We come now to what some have called the "Gordian Knot" of Biblical chronology: the period of the kings of Israel and Judah. We do not have a summary figure that tells exactly how long this period of time was. The book of Kings provides the years each king reigned,…
In an earlier article , while examining the biblical symbolism of dew, I noted the parallel in Psalm 133 between the dew upon Mount Hermon and the oil poured upon the head of Aaron. Both the dew of Hermon and the oil of ordination are compared to the pleasantness of…
The Covenantal Gospel was the last book written by the remarkable South African theologian and exegete Cornelius van der Waal. Two other works of van der Waal’s have been translated: Hal Lindsey and Biblical Prophecy , and Search the Scriptures . Because this book was written in 1979, it does…
A year or so ago, my wife and I were invited to a Christian school in order to preview a film on drug abuse that was going to be shown to our children. One of the children in this film turned out, of course, to be using drugs. This child’s…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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