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Ascension

Ascension and Eucharist

It’s a simple point, obviously biblical and creedal: Jesus of Nazareth ascended into heaven as the God-man, and He remains the God-man in all his specific particularity from now to the end. He is Jesus the Christ, the same yesterday, today, and forever. Duh! But Douglas Farrow shows in his…

by Peter LeithartMay 27, 2013
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Theopolis News

Register for Trinity Term Class

You can now register for the very first Trinity House intensive class, "How to Read the Bible," taught by James Jordan and Peter Leithart. There will be a kick-off welcome for students on the evening of Sunday, August 25, and the class will be held at Trinity Presbyterian Church ,…

by Peter LeithartMay 22, 2013
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Deuteronomy

Deuteronomy as Narrative-Law

This series of essays will address the food laws in Deuteronomy 14:1-21. To some, this may seem like a work of supererogation. After all, why should a Christian be interested in outdated “laws” from the book of Deuteronomy? I hope to show that meditation on this portion of Scripture is…

by Ralph Allan SmithMay 20, 2013
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Isaiah

Apocalyptic Patience

This essay was first published in 2011 in Credenda/Agenda . Isaiah 24 begins the section of Isaiah known as the “little apocalypse.” It’s a good name for this chapter. It’s a text of terror. The world is coming apart at the seams. The earth is emptied; and not only that,…

by Peter LeithartMay 15, 2013
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Biblical Studies

Anti Anti-Supercessionism

This article was first published in 2010 in Credenda/Agenda . In recent years, mainstream theology has begun to recognize the disaster that followed from the Marcionism of classical liberalism. R. Kendall Soulen is a leading figure in efforts to restore the importance of the Old Testament to Christian theology. In…

by Peter LeithartMay 13, 2013
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Deuteronomy

Law and History: How to Read the Law of Moses

This is the last in a series of studies on Deuteronomy 22:30-23:8. In this series, I have offered an interpretation of Deuteronomy 22:30-23:8 which suggests that a simple surface reading of the text does not do justice to Moses’ or God’s intention, that the larger historical and legal context in…

by Ralph Allan SmithMay 8, 2013

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Shepherd of Israel

1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…

October 25, 2016
Reformational Catholicism

Reformational Catholicism, A Wish-List

I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…

October 24, 2016

Lust Made Law

D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…

October 21, 2016

Incontinence, Malice, Bestiality

E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…

October 21, 2016

Infernal Baptism

R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…

October 21, 2016
Shakespeare

Antidote to Sadness

A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…

October 21, 2016

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