Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Standing in the narthex at the font, parents joyfully approach with their newborn child. The pastor asks the parents a series of questions that may include their renunciation of the devil and all his works, their faith in God the Father, Son, and Spirit as explained in the Apostles’ Creed,…
And there was a prophetess, Anna, the daughter of Phanuel, of the tribe of Asher. She was advanced in years, having lived with her husband seven years from when she was a virgin, and then as a widow until she was eighty-four. She did not depart from the temple, with…
Get the Psalm 30 Translation here Psalm 30 is a song for the dedication of "the house." Since it is by David, the house would seem to be his palace in Jerusalem. The psalm has an ABA structure, with the B structure being an exhortation to the saints, and the…
I once asked a ferryboat captain if steering a ferry was any different than driving, say, a big semi truck. He looked at me like I had just asked whether a bowling ball fell when you dropped it. “It’s completely different,” he said. “On the river, you never stay pointing…
The key scene in Shakespeare's Much Ado About Nothing comes just after the first wedding scene when Claudio tosses Hero aside as a "rotten orange." He has been tricked into thinking that Hero is unfaithful, and that is an affront to his honor. He won't put her away quietly. He…
Medieval Christianity is in the news. That’s exciting for me as I have a PhD in medieval theology and I teach Ancient and Medieval Church History at Covenant Seminary. Thus I have a little “skin in the game,” as the saying goes. Earlier this week our President made some comments…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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