Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
E. John Hamlin, At Risk in the Promised Land: A Commentary on the Book of Judges International Theological Commentary. Grand Rapids: Eerdmans, 1990. For anyone who has developed a taste for the rich biblical theology of Meredith Kline, James B. Jordan, Vern Poythress, and others, it is difficult to find…
". . . and all drank the same spiritual drink, for they were drinking from a spiritual rock that followed them; and the rock was Christ" (1 Corinthians 10:4). Paul’s passing comment about the rock that followed the Israelites in the wilderness has often been treated as a bit of…
Several months ago, my brief article entitled "Elijah’s Exodus" was published in Biblical Horizons . Since that time, further study has made it evident that Elijah’s exodus in 1 Kings 17 is part of a larger pattern in which Elijah’s ministry closely parallels Moses’. The following parallels are evident: Elijah…
The translation and theology of the Hebrew term kapporet have long been puzzling to scholars. On the translation of the term, I have nothing new to offer. I wish instead to concentrate on the theological symbolism of the kapporet . The kapporet was the solid gold slab that laid "above"…
Peter Leithart's article entitled " Prey in My House" pointed out that tearing flesh is a sign of kingly rule and dominion, and that God is portrayed as the Lion-King who tears flesh. The tithe brought to God’s house provides the money for the torn flesh of the sacrifices offered…
The Seventy Years of Sabbaths 2 Chronicles 36:20-21 reads: "And those who had escaped from the sword he carried away to Babylon; and there they were slaves to him and to his sons until the rule of the kingdom of Persia, to fulfill the word of Yahweh by the mouth…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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