Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In an earlier paper 1 I argued that the story of Jonah belongs in the book of KINGS. Jonah and the unnamed Judean prophet in 1K13 are paired by the author through literary links. The Judean prophet travels longitudinally to confront national paganism and is killed but not swallowed by…
The Scriptures have much to say about “the day.” “This is the day that the Lord has made,” sings the Psalmist (Psalm 118:24). But what exactly is the day ? Or, more broadly, what even is a day? Days make up human life like water, light, and air. There’s no…
According to the Westminster Confession of Faith 21:5, “God is to be worshipped everywhere, in spirit and truth, …” A similar phrase is found in the OPC’s Directory for Public Worship (II.6). In my experience in the OPC and other Reformed churches, the phrase is often interpreted to mean that…
Introduction In Genesis 3:16, after the fall, God said that Eve would “desire” her husband and that her husband would “rule” over her. It is popular for Christians to interpret Eve's desire as sinful, that she would try to usurp her husband's authority. Likewise, some interpret Adam's rule as sinful,…
White Western/Christian society has long discriminated against lesbians and homosexuals — ever since the days of Moses — who was neither white nor Christian, but that is beside the point — who claimed that God gave him revelation about what a man or woman is and how they should relate…
They Found a Book in a Wall, You Won’t Believe What Happens Next The secret behind the history of quiet times will make your quiet times more effective than ever. One of the enduring mysteries of American Evangelicalism is the question of the source of Quiet Times: A Handbook ,…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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