Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“13th of July, 4:50 pm. I'm sorry. I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you…
CS Lewis's 1948 essay on “Priestesses in the Church” strikes a reader today as simultaneously quaintly naive and trenchantly prescient. The naive part comes near the beginning, where Lewis describes the decision to take “a revolutionary step.” It would “cut ourselves off from the Christian past and to widen the…
Imagine a version of the Lord of the Rings beginning with Sauron riding into the Shire and lopping off heads in a mad search for the ring, driving Frodo to flight from the beginning, helter-skelter and harried. While, no doubt, some Hollywood exec is at this moment scrambling to reboot…
A Communist Confession of Faith states that the aim of the Communists is “to organize society in such a way that every member of it can develop and use all his capabilities and powers in complete freedom and without thereby infringing the basic conditions of this society.” This aim can…
The story of the Fall enjoys a peculiar place in Christian thought. Together with the creation account in the two chapters that precede it, it is one of the few Old Testament narratives consistently to escape the relative neglect the Hebrew Scriptures often suffer. While the characters of Abraham, Moses,…
In the previous essay, we saw that fire is a work of the Holy Spirit. The two are related so closely that they cannot be separated. Now we turn our attention to the Spirit's relationship to water. Many have understood Spirit baptism to be a dry baptism, one that is…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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