Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the Bible, all the world is a stage, but like the Tabernacle, that stage moves around a lot. David’s defeat of Goliath can only be fully understood as liturgy fulfilled in history. Liturgy, as a sacrifice of praise, is the step-by-step process of resolving a conflict. It relinquishes all…
Aristotle isn’t fundamentally wrong about friendship, nor is the long tradition that follows him. But you might not gather that by reading some of the more pointed critics of the classical conception of friendship. I think, however, that the classical view is not only viable but taken up and fulfilled…
#13 in Theopolis Papers, Seeking Integration in a Fragmented World It is time for me to “cast off” integration, the way a knitter removes a completed scarf from the needles. I want to bring my quest concerning integration to a decent closure, though my happy quest for reality continues. With…
Below are some notes on a particular sub-theme of Daniel 3, namely the downfall of Babylon’s liturgy. First up, a few words on our text’s literary construction. One of the most conspicuous features of Dan. 3 is its author’s love of lists . Personnel are listed (vs. 2, 3, 27),…
Few things in Scripture, few things in the Christian life, are more familiar than the Lord’s Prayer. Sunday after Sunday, we pray these words together with our brothers and sisters. At home, alone or with our families, we pray this prayer daily, as Jesus taught us (Luke 11:2: “When you…
At the 2019 General Assembly of the Presbyterian Church in America, the denominational delegates considered a number of official overtures (requests for action from the regional parts of the denomination) relating to issues of gender and sexuality. The PCA is conservative. As evidence of this, the assembly passed a resolution…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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