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Ascension

Ascension and Eucharist

It’s a simple point, obviously biblical and creedal: Jesus of Nazareth ascended into heaven as the God-man, and He remains the God-man in all his specific particularity from now to the end. He is Jesus the Christ, the same yesterday, today, and forever. Duh! But Douglas Farrow shows in his…

by Peter LeithartMay 27, 2013
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Theopolis News

Register for Trinity Term Class

You can now register for the very first Trinity House intensive class, "How to Read the Bible," taught by James Jordan and Peter Leithart. There will be a kick-off welcome for students on the evening of Sunday, August 25, and the class will be held at Trinity Presbyterian Church ,…

by Peter LeithartMay 22, 2013
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Deuteronomy

Deuteronomy as Narrative-Law

This series of essays will address the food laws in Deuteronomy 14:1-21. To some, this may seem like a work of supererogation. After all, why should a Christian be interested in outdated “laws” from the book of Deuteronomy? I hope to show that meditation on this portion of Scripture is…

by Ralph Allan SmithMay 20, 2013
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Isaiah

Apocalyptic Patience

This essay was first published in 2011 in Credenda/Agenda . Isaiah 24 begins the section of Isaiah known as the “little apocalypse.” It’s a good name for this chapter. It’s a text of terror. The world is coming apart at the seams. The earth is emptied; and not only that,…

by Peter LeithartMay 15, 2013
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Biblical Studies

Anti Anti-Supercessionism

This article was first published in 2010 in Credenda/Agenda . In recent years, mainstream theology has begun to recognize the disaster that followed from the Marcionism of classical liberalism. R. Kendall Soulen is a leading figure in efforts to restore the importance of the Old Testament to Christian theology. In…

by Peter LeithartMay 13, 2013
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Deuteronomy

Law and History: How to Read the Law of Moses

This is the last in a series of studies on Deuteronomy 22:30-23:8. In this series, I have offered an interpretation of Deuteronomy 22:30-23:8 which suggests that a simple surface reading of the text does not do justice to Moses’ or God’s intention, that the larger historical and legal context in…

by Ralph Allan SmithMay 8, 2013

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At the breast

The Torah never mentions breasts as an object of erotic fascination; they are solely nourishment for infants. In the wisdom literature, things are different. Solomon encourages young men to delight in the breasts of their wives - not of another, a strange woman (Proverbs 5) -, and in the Song…

February 14, 2013

Uncontained beauty

Solomon describes the beauty of his beloved in a neat and symmetrical poem in Song of Songs 7:1-6. Framed by “how beautiful you are” (vv. 1, 6), the poem describes ten features of her body. He starts with her feet and his gaze makes its way up. The ten features…

February 14, 2013
Literature

Books and Covers

The old adage applies in spades to the covers of Pride and Prejudice sampled in the NYTBR . Don’t judge the book by any of these covers, especially the Lady Godiva, the Twilight knock-off, and the “smokin’ bad boy Darcy” ones.

February 14, 2013

Concealed technology

Technology promises to accomplish the same things that have always been done more efficiently. Borgmann is skeptical ( Technology and the Character of Contemporary Life: A Philosophical Inquiry ) (45-46), and he summarizes George Sturt’s The Wheelwright’s Shop (Craftsman) to explain the notion of the “concealment” of technology, the fact…

February 14, 2013

Devices and Machinery

In his Technology and the Character of Contemporary Life: A Philosophical Inquiry , Albert Borgmann makes a crucial distinction between a technical device and its machinery. This is “a specific instance of the means-ends distinction” (43), the machinery being the means by which the device becomes useful to its user.…

February 14, 2013
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Literary Names

Claude Rawson’s review of Alastair Fowler’s Literary Names: Personal Names in English Literature focuses on names used to mock and deride. Swift, for instance, “attached enormous importance to naming and not being named (a characteristic Fowler incidentally identifies with Milton’s fallen angels). Swift scrupulously marked with an ‘X; every reference…

February 14, 2013

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