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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Studies

Tweets-turned-Notes on the Bible’s Chronology

Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…

by James BejonJuly 16, 2019
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Luke

Perspectives on the Prodigal, (Part 2)

In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…

by Ralph Allan SmithJuly 11, 2019
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Luke

Perspectives on the Prodigal, (Part 1)

The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…

by Ralph Allan SmithJuly 9, 2019
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Luke

Lazarus and the Rich Man

The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…

by Ralph Allan SmithJuly 4, 2019
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Luke

Everybody has Dropsy - Luke 14:1-24

The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…

by Ralph Allan SmithJuly 2, 2019
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Biblical Theology

Fruit Trees and Grain Plants

The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…

by James B. JordanJune 27, 2019

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Exhortation

“How can a man be born again when he is old?  Can he enter a second time into his mother’s womb?” Nicodemus’ way of putting the question sounds childish; but it’s a common question.  My life is a mess, and what’s done cannot be undone.  Then along comes Jesus mocking…

September 27, 2009

Transgressive film

Carroll again: He explains that much recent film criticism takes its cues from the effort to maximize aesthetic satisfaction.  This is evident in the respect given to “transgressive” films that overturn “what are called the codes of Hollywood filmmaking”: “Within the context of recent film criticism, it is appropriate to…

September 26, 2009
Literature

Consumerist structuralism

Noel Carroll argues that anti-intentionalist structuralist criticism aims to maximize aesthetic enjoyment, at the expense of all other purposes of art and literature.  This, he argues, “has a very ‘consumerist’ ring to it.  In Buberesque lingo, it reduces our relation to the text to an I/it relationship.”  By contrast, Carroll…

September 26, 2009
Literature

Finnegans Wake

In case you got bogged down and missed the plot, Thornton Wilder helpfully summarizes what he describes as Joyce’s “Night Book”: “We overhear and oversee [the hero] in bed above his tavern at the edge of Dublin.  His conscience is trying him for some obscure misdemeanors committed - or perhaps…

September 25, 2009
Philosophy

Static Hellenism?

In his treatise Contra Gentiles , Athanasius reproduces an argument from the Phaedrus that provides the immortality of the soul.  Anything that has to be moved by something else is mortal and finite; whatever moves of itself is immortal, and immortally mobile.  What is most fully mobile is what is…

September 25, 2009
Art

Disinterestedness

Adorno sees disinterestedness as a necessary stage in the development of aesthetic experience, but says that it has to be transcended by a recognition of the “interest inherent in disinterestedness.” Disinterestedness applies only to certain kinds of works, he says.  Try reading Kafka and remaining in disinterested contemplation: Kafka’s novels…

September 24, 2009

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