Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For many people Christmas comes on December 25 and is over December 26. The tree is taken down along with the lights and the other decorations, and everyone begins setting the house in order for the new year. No more Christmas hymns. No more celebrations (well, until New Year’s Eve).…
The Ascension and the Incarnation should not be disconnected in our Christmas thinking or celebrations. As N.T. Wright notes, the ascension is "a central and vital feature without which all sorts of other things start to go demonstrably wrong. . . . where the ascension has been ignored or misunderstood,…
“In the Word was life, and the life was the light of men. And the light shines in the darkness.” Thus John describes the incarnation of the Son. He comes as the living and life-giving light of the world. That’s good news. In the beginning, God spoke and light shone…
Christmas is all about Jesus. The angels announce Jesus’ birth, shepherds and wise men come to see Jesus, Herod wants to kill Jesus. We occasionally think of the Father who sent the Son, but we keep returning to the Son made flesh in Bethlehem’s manger. Meanwhile, as always, the Spirit…
Christmas is about many things, but one of the chief things revealed in the gospel of Christmas is the humility of God. We don't often think of humility as an attribute of God. If God is glorious and exalted, we think, He must be haughty and proud and self-centered. We…
John famously begins his Gospel with a piece of theology: “In the beginning was the Word, and the Word was with God, and the Word was God.” Matthew starts with a genealogy. John celebrates Advent with a hymn, Matthew with a list. For John, Jesus is the Word of creation…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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