Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
WHAT IS THE OT PRECURSOR OF THE NT OFFICE OF PASTOR? HOW DOES THE FORMER ILLUMINATE THE LATTER? The first problem to address is: how do we know that there is an office of pastor in the New Testament? 1 Perhaps the way the question is put may permit me…
[This essay was originally published in December, 1981, in The Biblical Educator , a publication of the Institute for Christian Economics, and again with slight revisions in Contra Mundum 7 (Spring, 1993). It is reprinted here as a supplement to my book Creation in Six Days .] In 1979, Dr.…
Anyone seeking to reverse the meaning of this promise needs to come to grips not only with the phrase "God was with the lad" later on, but also with Hagar’s response in 16:13. She worships Yahweh, putting her trust in Him and obeying Him. In fact, Hagar is at the…
Ishmael is the narrator of Melville’s fantasy-romance Moby Dick. Melville takes up the traditional view of Ishmael as a wayward son of Abraham, driven out solely because of the Divine "caprice" of election, an angry man with his hand raised against all other men. He is a fitting "anti-hero," or…
There were five cities at the center of the Canaanite culture in the circle of the Jordan, a place like the Garden of Eden, like the land of Egypt, before it became the Dead Sea at the destruction of the cities (Genesis 13:10). Genesis 14:2 tells us their names: Sodom,…
Meditations by James B. Jordan Genesis 19, the destruction of Sodom and the rescue of Lot, is part two of a story that begins in Genesis 18. These two chapters happen in one 24-hour period: noon and evening in Mamre, and midnight and daybreak in Sodom. God and two angels…
Showing page 244 of 309
Showing page 36 of 43
Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
Showing page 2141 of 2212
Your weekly digest for all things Theopolis.
