Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The 666 talents of gold are worth an awful lot, not just in terms of money but in terms of theological meaning–at least worth a lot more than most modern Evangelical commentators would think. In Revelation 13:18 we are told that the number of the beast is a number “of…
There is a debate going on between professing Bible-believers about the meaning of Genesis One and the six "days" recorded therein. Is the cosmos about six thousand years old or is it many billions of years old? Was the universe six days old when human life came into existence or…
Understanding John the Baptist in Light of Biblical Theology Anyone who has read Geerhardus Vos’ Biblical Theology cannot help but recognize its immense value to those wanting to better understand Scripture. Nevertheless, we would dishonor Vos if we did not seek to go beyond him once he has placed us…
John Chrysostom’s Commitment, Communication, & Conception of the Pastoral Office (Completed in December 5, 1996, in fulfillment of the requirements for the J. R. Wilson Preaching lectures delivered by Dr. Robert S. Rayburn) In Antioch and then in Constantinople, John Chrysostom grew in wisdom and stature with men and God…
This kind of language is revelatory in a particular way, different from ordinary language. It reveals man as the image of God, as the ruler of creation, as having authority over other persons in various ways, etc. It is the particular kind of language used by rulers as they rule,…
We continue our analysis of John Sailhamer’s book *Genesis Unbound: A Provocative New Look at the Creation Account* (Multnomah Books, 1996), which argues that Genesis 1:2ff. is not about the creation of the whole world, but about the preparation of the Land of Eden, which is also the Promised Land.…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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