Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I live in an area where Mardi Gras is in full swing, and I can remember from my upbringing that Fat Tuesday was a last ditch effort at debauchery before the pseudo-spiritual practice of “giving something up for Lent” really began. In my youth I would give up some kind…
Part 1: Observations from the Texts (Matthew 9:14-17, Mark 2:18-22, Luke 5:33-39) The precipitating context for the new wine/old wineskins discussion is people asking Jesus why His disciples did not fast. His immediate answer is that you can’t get the friends of the groom to fast at the bachelor party…
Simply, “progress” means to move forward. In that sense, a slug can progress from one end of the sidewalk to the other. But for us in twenty-first century America, progress means something else. For us, it is almost a synonym for goodness. The slug can only “progress” if the other…
I have the privilege of being able to counsel a lot of women who are seeking abortions. I can tell you that the majority of them are seeking to end their pregnancies not because they feel like it would be a fun thing to do, but because they are scared…
Last night, along with a few online friends, I watched this debate on the meaning of life between William Lane Craig, Rebecca Goldstein, and Jordan Peterson, hosted by Wycliffe College. While watching it, and reflecting upon Peterson’s work more generally (about which I’ve written in the past ), I was…
I’m glad to have been invited to contribute regularly to the Theopolis Institute website. Thank you, readers, for welcoming and joining what I hope will be a venture of integration. Integration itself is what I want to explore. And for me personally, this is the shape of my current integrative…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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