Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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English fairs in earlier centuries displayed wares and displays from all over the world. At one there was an animal described as “a noble creature, which much resembled a Wild Hairy man” whose main skill was to doff his hat and show “his respects to the Company, and smoaks a…
Much of the moral and political import of Shakespeare’s Henry V is left to the audience’s or reader’s judgment. Is Henry a “pig” or is he the mirror of Christian kings? Is his invasion of France fair or foul? Shakespeare doesn’t show his hand, or not much; and one is…
George Barnam notes the careful structure of Act 5 of Shakespeare’s Coriolanus: “Shakespeare had used this scene structurally to build the tension toward the climactic moment when Volumnia should appeal to her son and prevail. Three appeals are made to Marcius, and Shakespeare’s presentation of them matches in structure the…
A reader wrote to respond to my suggestion that high culture is “sacred” and pop culture “profane,” citing the example of sports. Here’s my response: A football game often is a quasi-religious experience, but I’m not sure we use the same language to describe it. If someone slashed da Vinci’s…
In their “cultural history” of English drama, Simon Shepherd and Peter Womack summarize the argument of Glynne Wickham concerning the divorce of stage and sacred: “The English stage - so the argument runs - was predominantly a religious one until Elizabethan Protestantism forced a separation between theatre and the central…
As Marsden describes it, the growth of neoclassical literary sensibilities developed in part in reaction to the chaos and disorder of the English civil war - following in this regard the development of late 17th century political theory. Orderliness, definiteness, clarity became virtues, while ambiguity, double entendres, and inconclusiveness became…
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