Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Part 1 We do not understand the role of women in ministry because we do not understand the role of men in ministry. We do not understand the role of men in ministry because we do not understand the church. We do not understand the church because the consumer culture…
1. One structure The Creation account (G1:1-2:4) conspicuously conveys meaning using the literary shape of the text. The narrative is told with formulaic patterns, repetitions, and parallelism. The Garden account is different. It is viewed as a separate text, with its own author, employing its own structure. This second account’s…
I was reading James Jordan’s Creation in Six Days while also preparing for Trinity Sunday in which the gospel reading is John 3:1-15. As providence would have it Jordan dropped an easter egg for me along the lines of baptism. In chapter 5 he points out, “ On the second…
It's true. There is no verse in the New Testament that commands or records an infant baptism. This poses a problem for some Christians. Those who only look for explicit commands, or those whose theology is limited to the New Testament, will conclude that infant baptism is not biblical and…
1. Goal This paper’s goal is to identify and describe a literary strategy employed by scripture, namely using two episodes that cover similar territory or themes using details drawn from opposite ends of a number of spectrums. Once described the reader may recognize numerous other instances of this strategy in…
Numbers 14 records the tragic story of Israel’s decision to rebel against Yahweh and Moses. Twelve spies had been sent into the land to bring back a report to Israel. All twelve spies agreed: “We went to the land where you sent us. It truly flows with milk and honey”…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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