Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Over the past few days, quite the event has developed at Asbury University down in Wilmore, Kentucky. University students have appeared at the Hughes Auditorium to worship and sing praises to God, which has continued for over 90 hours at the time of this writing. There is recent reporting that…
It is well-enough known that Nero was emperor from AD 54 when he was just 16 until his death as a young man of 30 in AD 68, just 14 years later. Paul ministered during most of those 14 years (we are not sure which year he died), accomplishing 3…
When the apostle Paul says, “For me to live is Christ!” (Philippians 1:21), we do not find it difficult to understand. Paul had been a faithful servant of Christ from the time that Christ confronted him on the road to Damascus (AD 30) and through Ananias told Paul that he…
I think there’s a layer to the Song of Songs which has been largely unexamined. The Song is about Christ and his church, Yahweh and Israel, the nature of the marriage covenant, and the marriage of the couple in the Song. But while the Song is “of Solomon” (or to…
In Philippians 1:12-13, Paul informs his beloved brothers in Philippi that his Roman imprisonment — which one would naturally think hindered his ministry and the preaching of the Gospel — actually resulted in the surprising and wonderful progress of the Gospel. Of course, from our perspective 2000 years later and…
In a recent post , I explored the threefold order of creation—heavens, earth, and sea—and suggested that in Genesis 1 God stamps heaven’s order, his own threefold nature, on the creation, giving earth a trinitarian shape. So what happens to the three-level architecture of creation after Genesis 1? We don’t…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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