Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We are too used to reading the Gospels’ stories of Jesus’ arrest, trial, condemnation, and death from a devotional perspective and so we miss a lot of what’s going on. We actually have a difficult time trying to figure out the meaning of the details of the story. Of course,…
This is the first in a series of essays on "Continuing the Reformation." Many different churches descend from the original Protestant Reformation, and those that are the most conservative are often insistent that they are largely if not completely true to the Reformation, or to the branch from which they…
Trinity House fellow James B. Jordan will be teaching a one-day seminar on "How to Read the Bible for the First Time . . . Again" next Friday, February 22, in North London. The event is sponsored by Emmanuel Evangelical Church, Southgate, costs 20 pounds (10 for theology students) and…
Audio Reading of this Post https://theopolis-blogcast.simplecast.com/episodes/a-primer-on-ash-wednesday What is Ash Wednesday? Ash Wednesday is the first day of Lent, a season focused on the sufferings and cross of Jesus. But Jesus’ death on the cross cannot be separated from the cross we are called to bear in union with him, so…
Welcome to the Trinity House web site. It’s unfinished, as you’ll soon discover, but it’s more finished than it was, and for that we are very grateful. Thanks to David Dalbey for the design, and to my son Sheffield for the execution. Trinity House exists to advance the reformation of…
In our I hope brief blog-versation, Doug Wilson has posted a couple more things to think about. In one he asks who our father/Father is. We either have God or the devil as our father. Well, yes and no. I’m with Doug in what he’s getting at, I think, but…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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