Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Christmas is a joyful season, but for many it turns into something else. Instead of joy, it is full of disappointment and unhappiness. Instead of an occasion for family fellowship, it becomes an opportunity for opening old wounds, reigniting old arguments, giving new life to rancor that should have died…
The Temple of Time The “covenant-literary matrix” of the Bible is not a pattern imposed upon the text, but the internal logic of its arrangement. This fundamental structure, functioning at multiple levels simultaneously, is a ceaseless reiteration of God’s primary theme. It is an algorithm forged in the furnace of…
In the four hundred and eightieth year after the Exodus, Solomon began to build the temple of the Lord in Jerusalem. [1] That the author of Kings should date the start of the building of the temple from the Exodus is noteworthy. In Exodus 15:17, in Moses’ song following the…
Philip Schaff, a German Reformed theologian, states in The Principle of Protestantism that the material principle of Protestantism is “the doctrine of the justification of the sinner before God by the merit of Christ alone through faith.” This is the core message of the Church which leads “to the abandonment…
“Religion” is an attempt to create or build a tower with a top, or to build a temple that is self-contained. The story of The Tower of Babel in Genesis 11 is the story of mankind’s attempt to create a world that is self-contained and does not need God. All…
In the first essay in this series, I presented a case for dating Matthew before AD 70, contrary to the present scholarly consensus. In this essay, I intend to present cultural, personal, ecclesiological, and theological arguments for a very early date for Matthew. [1] The cultural argument concerns literacy in…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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