Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The name of Harry Turtledove is well known to readers of fantasy and science fiction. Turtledove is an historian, and most of what he writes is in the "alternative history" genre. A fine collection of short stories, available in paperback, is his Agent of Byzantium . These stories are set…
In answer to a question, the following about the unicorn, a supposed "New Age" symbol: The unicorn, or monoceros (one-horn), was known around the ancient world. Some scholars believe it may have been the one-horned goat that is still bred today. Others think it may have originated in tales of…
3. A Brief Survey of Esther (continued from the previous issue) Haman told the king that "a certain people" were rebellious against him, and that Haman wanted to rid the king of their noxious presence. The king agreed, and the two sat down to a feast. This is the third…
It has become routine in October for some Christian schools to send out letters warning parents about the evils of Halloween, and it has become equally routine for me to be asked questions about this matter. "Halloween" is simply a contraction for All Hallows’ Eve. The word "hallow" means "saint,"…
2. The Setting of the Book of Esther (continued from previous issue) Astyages E. W. Faulstich presents his arguments in his book History, Harmony, The Exile & Return . 1 To understand it, we have to have some background. The Assyrians ruled the near east. Median king Cyaxeres decided to…
In my commentary on Judges, I demonstrated that Jephthah in his Spirit-led vow intended to offer to Yahweh the first person who greeted him from the doors of his house after the battle. Since it was a custom for the young women to come out dancing to greet the returning…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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