Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Let us now switch gears and move to a discussion of art, literature, architecture, and music. In English, we speak of "playing" games and also of "playing" musical instruments. There is a connection between the two, in that both involve some degree of pleasure and recreation. At the same time,…
Leviticus 20:22-26 22. And you shall guard all My decrees and all My laws and do them, so that the land will not vomit you out, where I am bringing you thither to live in it. 23. And you shall not walk in the decrees of the nation that I…
For a year or so we have been reading about date rape. It amazes me how many "conservative" commentators have taken the attitude that "boys will be boys," and that it is somehow the girl’s fault if she lets the boy go too far. I have to agree that we…
According to 1 Kings 16:29, Ahab came to the throne of Israel in the 38th year of Asa of Judah, which was the year A.M. 3087. He reigned 22 years, dying in the year 3108. Ahab married a princess of Tyre named Jezebel (Jeze-baal). Under Jezebel’s influence, Ahab turned away…
Part 1 Part 2 Part 3 Most Christians today, when they hear the phrase "abomination of desolation," think of some political figure who is to arrive on the scene some time in the future, and who will oppress God’s people. More careful exegetes have seen that the prophecies concerning "abomination…
Deuteronomy 17:6 tells us that a matter is to be regarded as established if it is testified by two or three witnesses. One of the most important characteristics of Biblical chronology is that it is very often supported by more than one witness. A case in point is the fact…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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