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Ephesians

Music and Drunkenness, Part 2

For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…

by John AhernMay 17, 2018
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Ephesians

Music and Drunkenness, Part 1

Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…

by John AhernMay 15, 2018
infant-baptism
Baptism

Unequal Holiness

In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…

by Bill SmithMay 10, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, (Part 2)

For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…

by Mike BullMay 8, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, Part 1

How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…

by Mike BullMay 3, 2018
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Theopolis News

Alastair Roberts Appointed As Adjunct Senior Fellow

Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…

by TheopolisMay 2, 2018

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Philosophy

Autonomy and Tragedy

Early in his Tragic Sense of Life , Unamuno captures the profound connection between autonomy and tragic character in a passage of hyperventilating passion: “The visible universe, the universe that is created by the instinct of self-preservation, becomes all to narrow for me. It is like a cramped cell, against…

December 10, 2003

Chiasm in Romans 3:19-31

There’s something chiastic going on in 3:19-31 (or maybe 2:25-3:30). A. by works of law no flesh shall be justified, 19-20 B. Apart from law, righteousness of God is revealed, 21 C. righteousness through faith in Jesus—> for all have sinned, 22-23 D. being justified as a gift through Jesus…

December 10, 2003
Literature

Spenserian Humor

A touch of Spenserian humor: Spenser has a witch create a false Florimell (Book 3) for her slothful and unattractive son, who is smitten with the beauty of the real Florimell. The witch uses materials from Petrarchan love sonnets to construct the lady ?Eactual lamps for eyes, actual golden wire…

December 9, 2003
Literature

Spenser and Milbank

Spenser might provide a Milbankian response to Milbank’s endorsement of homosexual sex and “threesomes.” In Book 3 of The Faerie Queene , Spenser’s heroine is Britomart, the lady knight who represents a militant chastity directed toward marital and sexual consummation rather than a fearful virginity that simply avoids sex. Britomart…

December 9, 2003
Literature

Hero and Eros

William Allan Oram in a book on Spenser writes that “one of the fruitful false etymologies of the Renaissance was the derivation of HERO from EROS: by this understanding, love does not hinder noble deeds but spurs them on.”

December 9, 2003
Literature

Shakespeare for Readers

Also in the November 7 TLS (belatedly on my desk) is a review of Lukas Erne’s Shakespeare as Literary Dramatist , in which Erne challenges the popularly accepted notion that Shakespeare was writing for viewers rather than readers. He shows that plays were being written for publication in Shakespeare’s time,…

December 9, 2003

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