Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And through the hands of the apostles many signs and wonders were done among the people. And they were all with one accord in Solomon's Porch. Yet none of the rest dared join them, but the people esteemed them highly. Acts 5:12-13 When Grandma needed healing, her children knew the…
Like certain kinds of music, the unchanging rhythm of Aquinas's Summa gets into your bones. Read a few sections and it begins to run through your head. You start drumming your fingers, humming, swaying gently to the rhythm of Videtur-Sed Contra-Responsio, Videtur-Sed Contra-Responsio, “It seems-On the contrary-I answer.” The only…
And Arpachshad lived thirty-five years, and became the father of Shelah . . . And Shelah lived thirty years, and became the father of Eber . . . and Eber lived thirty-four years and became the father of Peleg . . . and Peleg lived thirty years, and became the…
Of course, the title should be something like, “The Fall of the Angel Who Came to be Satan,” but that and other more accurate titles are too cumbersome. The question is: who is Satan, and when and how did he become “Satan” (Adversary, Accuser) and the “devil” (slanderer)? By my…
In The Oddness of the Feast of Booths , we saw that the Feast of Booths is a commemoration of the first encampment of Israel at Sukkoth (Booths) in Exodus 12:37, almost certainly the first celebration of the week of Unleavened Bread after the first Passover. The Feast of Booths…
This piece was originally published in 1989. 1. The Blessed Hope "Looking for the blessed hope and the appearing of the glory of our great God and Savior, Christ Jesus." Titus 2:13 I was recently asked how I as a postmillennialist would preach on "The Blessed Hope." This is often…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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