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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
darwin
Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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On the History of Charisms

“T he time has come,” writes Luigino Bruni ( The Wound and the Blessing ), “to rewrite the economic and civil history of societies, taking seriously the civil and economic role of charisms.” It's impossible “to understand either the past or the present situation in European economics deeply (or well…

May 8, 2017

Inequality and Inequality

I n Adam Smith and the Character of Virtue , Ryan Patrick Hanley explains why Smith considered the “inequality of precommercial societies [to be] infinitely more pernicious than the inequality to be found in commercial society.” He does this by demonstrating “how the conditions that afford the powerful with maximal…

May 5, 2017

Blue Arrogance

A t the Daily Beast , Joel Kotkin exposes the “arrogance of Blue America,” expressed in talk of Blue State secession and contempt for Red State Trump country. According to Kotkin, “The blue bourgeoisie’s self-celebration rests on multiple misunderstandings of geography, demography, and economics. To be sure, the deep blue…

May 5, 2017

Theology of Gift

I ’ve quoted this before, often, but it's so good it merits re-quotation. From Luther's 1528 “Confession”: These are the three Persons and the one God, Who has given Himself to us wholly with all that He is and all that He has. The Father gives Himself to us, with…

May 5, 2017
Architecture

Architectural Asceticism

R eviewing Adrian Forty's Concrete and Culture in the TLS , James Hall summarizes the shifting fortunes of concrete as a building material: “Reinforced concrete's global heyday spanned roughly from the 1920s to the 60s, when exposed, cantilevered concrete was all the (modernist) rage. Then a pragmatic and/or postmodernist reaction…

May 5, 2017
Shakespeare

Authentic Shakespeare

D on-John Dugas's recent Shakespeare for Everyman offers a revisionist account of the rise of “authentic” stagings of Shakespeare in the twentieth century. The very meaning of “authentic” changed, as Sally Barnden explains in her TLS review of Dugas's book: “Authentic Shakespeare performance was no longer understood to be that…

May 5, 2017

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