Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When might the Gospel according to Matthew have been written? Of course, any answer can only be speculation, but that does not mean we are reduced to groundless opinion. In this series of articles I point the way to an approach different from the general consensus among scholars today which…
In my first essay on “synopticity” I offered a rather rough definition of the phenomenon and important, though not exhaustive examples. In this essay, I want to introduce broader aspects of the phenomenon of “synopticity.” The first example that I have in mind is conventional stories, stories of different historical…
Since the judgment of Babel was followed by the initiation of the circumcision, the impending end of the circumcision in AD70 explains the significance of the first century miracle of foreign tongues. Except for a few Aramaic “teasers” in the book of Daniel, the Word of God was monolingual and…
To the best of my knowledge “synopticity” is not a word used in theology or Biblical studies, but it seems an appropriate word to describe the kind of phenomena associated with the Synoptic Gospels, Matthew, Mark, and Luke. These three Gospels tell essentially the same story with significant — sometimes…
Humor is a funny thing. It is altogether familiar yet also mysterious. What makes us laugh? Why do we find things funny? There are academic fields of study dedicated to discovering what makes things humorous. These academicians even have a journal entitled International Journal of Humor Research . No joke.…
Out of all the characters in Geoffrey Chaucer’s The Canterbury Tales , the Pardoner has been called the “one lost soul.” The pious Parson, who closes out the collection of tales with a sermon on the seven deadly sins and how a sinner can absolve himself of them, connects the…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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