Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This is the second of a three-part study of Genesis 1. 1:3-5 – Light In God’s final actions of the first day, that He addresses the problem of darkness. In evaluating God’s giving of light, we should evaluate the order of events of His creative activity on the first day.…
“In the beginning God created…” With these words, God begins His self-revelation. We first catch God in the act of creation, and in so doing are ourselves caught up into the dramatic exposition of the Divine Life. To witness the Theo-Drama of the Creator is not an entry into the…
In order for Exodus 23:19b (“you shall not boil a kid in his mother’s milk”) to be interpreted properly it must be situated in its biblical context, which necessitates a proper understanding of Exodus 24:1-11. It is the primary contention of this paper that it is only through the lens…
Trinity House President Peter Leithart will deliver a paper on "Constantine the Pious" this week at an international symposium sponsored by the Universitatea Babes-Bolyai in Cluj-Napoca , Romania.
Through the prophet Isaiah, Yahweh threatens to send Assyria to Judah and Israel. He will swing Assyria as an ax to lop down the proud trees of Judah (10:33-34). He is going to lop off the branches of the trees, and cut down the tall trees. Trees are people, and…
Peter Leithart, President of Trinity House, will deliver a lecture a a conference on "Constantine: Religious Faith and Imperial Policy," which will be held October 4-5 at Richard Stockton College of New Jersey. The conference is co-sponsored by the Interdisciplinary Center of Hellenic Studies at Richard Stockton and the Orthodox…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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