Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When Jesus says in the farewell discourse that his disciples know the way to where He is going, Thomas replies: “We do not know where you are going. How can we know the way?” Jesus answers Thomas, but He gives Thomas more than he asked : “I am the way,…
Through the pandemic we learned a lot about infections, how to catch them, what’s contagious, how to protect yourself from getting the infection. I learned a lot of new terms, like “social distancing,” “ppe” (personal protective equipment), N95 masks, and so on. We’ve seen that people are willing to go…
In Genesis 9:20, Noah is called “a man of the soil”. This phrase is a bit of a shock in the Hebrew; though it’s made up of two very common words - 'ish is “man” and 'adamah is “soil” or “ground” - these two words are never used together before…
Harold Bloom’s discussion of Twelfth Night in his Shakespeare: The Invention of the Human is, as would be expected, insightful. It displays his deep love of poetry, and includes some truly eloquent descriptions of Orsino: “that sublimely outrageous lover of love” and “amiable erotic lunacy.” Bloom is worth reading just…
There have been times when Evangelicals, in an attempt to be clear about the errors of Rome and Constantinople concerning Mary, have been so denigrating of the mother of our Lord that they sounded more like cut and pasted lines from the Babylonian Talmud than they did disciples of Mary’s…
Awe is the phenomena experienced when one looks up and lights upon the height, majesty, and mystery of the California Redwoods. It appears the trees pierce heaven itself. Among these giant organisms are the Sequoia–while they are shorter in form, they reserve a width that spans an automobile. These trees…
Showing page 31 of 309
Showing page 40 of 43
Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
Showing page 2141 of 2212
Your weekly digest for all things Theopolis.
