Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I mentioned last month ( BH 82) in my essay "Like a Dove" that Genesis 8 is a recapitulation of Genesis 1. Let me explicate that assertion here. Of course, the world after the Flood is a new creation, so we may expect a recapitulation of the first creation. It…
The book of Esther is one of the most neglected of the books of the Bible. To be sure, sermons are preached on it, and commentaries have occasionally been written on it, but almost without exception Esther has been interpreted in isolation from the rest of Biblical history, chronology, and…
Dear Mr. ______, . . . Here is how I look at the geocentricity question. Since I don’t recall what I wrote you before, I may be repeating some things. 1. The Bible does not teach it. Biblical passages used to support the idea are being misinterpreted. My original paper…
Answer 4 of the Westminster Shorter Catechism is often taken as a magnificent answer to the question, "What is God?" It reads: "God is a Spirit, infinite, eternal, and unchangeable in his being, wisdom, power, holiness, justice, goodness, and truth." Presbyterians are fond of praising this statement, preaching on it,…
The gospels tell us that at Jesus’ baptism, the Holy Spirit descended upon Him "in bodily form like a dove" (Luke 3:22 & parallels). Biblically sensitive commentators have associated this event with three Old Testament parallels: (1) the hovering of the Spirit over the creation in Genesis 1:2; (2) the…
This they said to test him, that they might have some charge to bring against him. Jesus bent down and wrote with his finger on the ground. (John 8:6) The story of the woman taken in adultery (John 7:53-8:11) has been part of the canonical Christian Bible from its earliest…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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