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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Children

Honor God With Your Body

I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…

by Lindsey TollefsonApril 9, 2015
giotto-noli-me-3
John

The Gardener and the Beloved, (Part 3)

Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…

by Jeff MeyersApril 6, 2015
giotto-noli-me-2
John

The Gardener and the Beloved, (Part 2)

Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…

by Jeff MeyersApril 4, 2015
easter-term-2015-2
Theopolis News

Easter Term, 2015

“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…

by TheopolisApril 2, 2015
psalm-singing
Genesis

Worship as Response: Liturgical Logic, (Part 1)

“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…

by Jonathan BarlowApril 2, 2015
giotto-noli-me
John

The Gardener and the Beloved, (Part 1)

On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…

by Jeff MeyersApril 1, 2015

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On the History of Charisms

“T he time has come,” writes Luigino Bruni ( The Wound and the Blessing ), “to rewrite the economic and civil history of societies, taking seriously the civil and economic role of charisms.” It's impossible “to understand either the past or the present situation in European economics deeply (or well…

May 8, 2017

Inequality and Inequality

I n Adam Smith and the Character of Virtue , Ryan Patrick Hanley explains why Smith considered the “inequality of precommercial societies [to be] infinitely more pernicious than the inequality to be found in commercial society.” He does this by demonstrating “how the conditions that afford the powerful with maximal…

May 5, 2017

Blue Arrogance

A t the Daily Beast , Joel Kotkin exposes the “arrogance of Blue America,” expressed in talk of Blue State secession and contempt for Red State Trump country. According to Kotkin, “The blue bourgeoisie’s self-celebration rests on multiple misunderstandings of geography, demography, and economics. To be sure, the deep blue…

May 5, 2017

Theology of Gift

I ’ve quoted this before, often, but it's so good it merits re-quotation. From Luther's 1528 “Confession”: These are the three Persons and the one God, Who has given Himself to us wholly with all that He is and all that He has. The Father gives Himself to us, with…

May 5, 2017
Architecture

Architectural Asceticism

R eviewing Adrian Forty's Concrete and Culture in the TLS , James Hall summarizes the shifting fortunes of concrete as a building material: “Reinforced concrete's global heyday spanned roughly from the 1920s to the 60s, when exposed, cantilevered concrete was all the (modernist) rage. Then a pragmatic and/or postmodernist reaction…

May 5, 2017
Shakespeare

Authentic Shakespeare

D on-John Dugas's recent Shakespeare for Everyman offers a revisionist account of the rise of “authentic” stagings of Shakespeare in the twentieth century. The very meaning of “authentic” changed, as Sally Barnden explains in her TLS review of Dugas's book: “Authentic Shakespeare performance was no longer understood to be that…

May 5, 2017

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