Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Flying scrolls. Red horses. Beasts coming out of the sea. Winged women. The list goes on. Apocalyptic literature in the Bible is like a cross between science fiction and Marvel comics. And the Bible has a fair bit of this sort of thing. Daniel sees visions in Babylon, Zechariah sees…
Trinity House Institute has taken a new name, the Theopolis Institute. This striking new name expresses our unique vision and mission and captures the unified purpose behind all our specific programs and activities. We still have Bible, liturgy, and culture in our tagline. We still offer the same courses on…
Adam Kotsko offers a socio-political variation on the Christus Victor atonement theory in his 2010 study, The Politics of Redemption: The Social Logic of Salvation . He does this by explaining "the devil" in terms of the Hegelian concept of "objective spirit," Geist . As Kotsko puts it, Geist "refers…
Two factors keep Nahtali Meshel from discussing the meaning of sacrifice until late in his The "Grammar" of Sacrifice . The first has to do with the texts he draws from: "P says little about the meaning of its rituals" (174). The other has to do with the grammatical theory…
Chapter 5 of Naphtali Meshel's The "Grammar" of Sacrifice focuses on "praxemics," the physical actions of sacrificial ritual. Praxemes are constituted by six elements: an "atomact," an elementary physical act or gesture; an actor; an object that is acted up; a target for the action and often for the object…
Two chapters of Naphtali Meshel’s The “Grammar” of Sacrifice cover what he calls “jugation” and “hierarchies.” The first involves the addition of other materials to an animal offering. Jugates include wine, cereal, and oil that are added to the animals (zoemes) that are offered in sacrifice. Some jugates are coordinated…
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Consumerism is a popular category of analysis, but what exactly does it mean? How is consumerism or the consumer society different from anything else? Haven’t every economies had producers and consumers? In his The Romantic Ethic and the Spirit of Modern Consumerism , Colin Campbell offers this description of consumerism:…
Bohemians, Featherstone suggests, were the first “true artistic proletariat,” living next to lower class people in low-rent areas of the larger cities, and imitating the lifestyle of the lower classes: “They cultivated similar manners, valuing spontaneity, an anti-systematic work ethos, and a lack of attention to the sense of ordered…
Featherstone isolates three aspects of the postmodern aestheticization of daily life: 1) Artistic movements such as Dada and Surrealism attempt to break down the boundary between art and daily life by turning toilets and such into art objects. This is both an attempt to “dissemble [art’s] sacred halo and challenge…
In a lecture on Tom Stoppard’s Rosencrantz and Guildenstern are Dead, Ian Johnston makes this helpful distinction between existentialist drama and the Theater of the Absurd. “In the Theatre of the Absurd the protagonists are discovered in a world which they do not, indeed they cannot, understand. It has no…
Modernity attempts to spatialize time, and to chart temporally shifting reality in a fixed mathesis. So argues Catherine Pickstock at least. But in this sense postmodernism is hypermodernism. Featherstone notes that MTV “seems to exist in a timeless present with video artists ransacking film genres and art movements from different…
Mike Featherstone, expounding on the “aestheticitization of everyday life” that he claims is characteristic of the postmodern ethos, notes that similar motifs are evident in the early development of the fashion industry: “The intensified place of fashion increases our time-consciousness, and our simultaneous pleasure in newness and oldness gives us…
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