Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Click HERE for part 1. III This leads to a further question. I have argued that silence cannot by itself establish a Scriptural principle, but does Scripture’s silence carry any weight in itself? Does the fact that something is unbiblical in a weak sense tell us anything at all? In…
Although nowadays gap theories are associated with dispensationalism, it was not always so. In the nineteenth century, scholars from a variety of backgrounds (Anglican, Reformed, and proto-fundamentalist) seem to have become fascinated by gaps. If you are not familiar with what I am talking about, this newsletter will acquaint you…
If the debate over Operation Rescue has proven anything, it has proven that there is absolutely no consensus among evangelicals in general, or among "reconstructionists" in particular, about how to use the Bible to judge political actions and movements. Each side of the debate claims biblical authority for its position,…
Two things I asked of Thee, Do not refuse me before I die: Keep deception and words of falsehood far from me, Give me neither poverty nor riches, Feed me with the food that it my portion, Lest I be full and deny Thee, And say, "Who is the LORD?"…
Umberto Eco’s "The Name of the Rose" was certainly one of the best literary works of the past decade, though the film version hardly measured up to it. Now Eco has given us a new novel, "Foucault’s Pendulum." Like Rose, Foucault’s Pendulum reflects on the limitations of human knowledge, and…
From time to time people ask me about "interpretive maximalism." They want to know what it is, and sometimes want to know if it represents some departure from the Reformed grammatico-historical, Biblico-theological approach to the Bible. I have something of a problem with these questions, because "interpretive maximalism" is not…
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Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…
Paul Nickell’s 1951 Westinghouse Studio One production of Coriolanus is fast-paced, well-acted, and, making allowances for technological weaknesses, interesting and fun to watch. It is also very unlike the play that Shakespeare wrote. The play begins with plebs rioting (or milling around) in the streets of Rome, complaining about the…
The stage history of Coriolanus is as interesting as the play itself. It has provoked riots and demonstrations, and has been used as a way of preventing riots and demonstrations. Here are a few excerpts from RB Parker’s excellent introduction to the play (The Oxford Shakespeare): RIGHT-WING INTERPRETATIONS ?In reaction…
Glory and Song, 2 Chronicles 5:1-14 INTRODUCTION As we close out this brief series on worship, we will be looking at two separate but related issues: the glorification of worship, and music in worship. These are related in several ways: Music is itself a means of enhancing or glorifying worship;…
INTRODUCTION For Elizabethans, Rome was not only an ancient power but a very real contemporary power. The plays of Shakespeare that are set in Rome and those derived from Roman models often work in both registers, bringing papal Rome into plays set in ancient times. I will look at some…
I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut the head off…
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