Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And a great portent appeared in heaven, a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars; she was with child and she cried out in her pangs of birth, in anguish for delivery (Revelation 12:1-2). Then Joshua spoke…
In his post asking Ought we Anoint the Dying? Peter Leithart makes an excellent and important point about our suffering as members of Christ. However, he only parenthetically mentions that the verb in question in James 5 is not chrio but aleipho . By assuming that these words are interchangeable,…
We spend a lot of time in the church talking about what it means to live like a Christian. But what does it mean to die like a Christian? If we are to follow Christ in life, what does it mean for us to follow him in death as well?…
How would one go about answering the question posed by my title? That depends on what the question means. Obviously, different definitions of the question would require different approaches to an answer. Right off hand, I can think of at least three possible — though not necessarily mutually exclusive —…
In recent weeks and months, we have seen events that are not the event. The drama around these events is not the events themselves, but the anxiety about the events, and then even the anxiety about the anxiety about the events. That is the real event. The events in Ferguson,…
Anointing the sick, including the dying, is one of the traditional seven sacraments of the Catholic Church. The Reformers denied that the rite qualified as a sacrament. Formally, this was because anointing did not have a direct authorization from Jesus; more theologically, it was not one of the marks that…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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