
Constantine the Pious
Trinity House President Peter Leithart will deliver a lecture on "Constantine the Pious" at Oregon State University, Wednesday, October 30, at 7:00 PM.
Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

Trinity House President Peter Leithart will deliver a lecture on "Constantine the Pious" at Oregon State University, Wednesday, October 30, at 7:00 PM.

In his rich study, We Have Never Been Modern (Harvard 1993), Bruno Latour describes modernity in terms of a dual process of “purification” and “hybridization.” Purification involves the clean construction of a nature (and science) separated off from society and the self, while hybridization involves mixtures of nature and culture.…

In James K.A. Smith’s excellent book, Introducing Radical Orthodoxy: Mapping a Post-secular Theology , he explains recent developments in theology and philosophy among mostly post-liberal (some Catholic) theologians. As with everything Dr. Smith writes, his prose is accessible, and written with clarity and precision as he describes the contribution made…

This is the last of a three-part series. 1:14-19 – The Lights in the Firmament The fourth day is the first day where God sets out His mediators and rulers. In the celestial bodies, God sets out His mediators and rulers in the same single class of created beings. We…

Trinity House President Peter Leithart will be in Chicago this weekend lecturing on Revelation. Sign up here .

Only two more weeks to register for the Trinity House Advent class on the book of Genesis. Register before the late fees kick in!
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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