Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The initial chapters of Joshua demonstrate that Joshua is a new Moses, completing the task that Moses began. Moses is named ten times in the first chapter; though dead, he still dominates the scene. The book begins with the announcement of Moses’ death (1:1); Yahweh promises to fulfill what He…
The way in which you should defend and prove the Christian Faith and the way in which you debunk alternative belief systems is not the same way that you came to know that Christianity is true and that all alternatives are false. This is important because confusing the two ways…
If we want to learn the best way to proclaim and defend the Gospel, we can do no better than to go to the Bible for guidance. Indeed, not only do we find examples for how to present God’s Word, but we also find examples of problems we will face.…
As Christians we all want to see nonchristians convert to faith in Christ by the grace of God. Even more, we probably want to be instrumental in such a conversion–for that would be a special blessing. But let’s be honest: we all hope that such an opportunity will be a…
Day 3 The third day completes the initial structuring work and the initial filling work. First, God separates land and sea, putting the sea below the land. This reproduces the configuration that has just been set up in heaven: land over sea. The earth is being modelled after heaven. There…
In this essay, I wish to present some facts not familiar to many Christians, and draw some possible inferences. My purpose is to help us all become more familiar with the Psalter as God has set it out in its final and canonical form. To begin with, let us consider…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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