Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Inspired by our recent podcast on Christmas and Advent music recommendations, we offer here a list of excellent recordings that are sure to enrich your Advent and Christmas season. Praetorius: Mass for Christmas Morning Paul McCreesh with the Gabrieli Consort and Players Amazon | Spotify | Apple Music 2. Christmas…
In the year 1483 in the city of Nuremberg, the leaders of the renowned Saint Lawrence Church were seeking to redesign their altar, and above the table where the priests presided over the eucharist, they wanted new art installed above the prestigious Krell altar. What they decided on took everyone…
The consequences of disobedience start with exile from the garden of God and the Tree of Yahweh, but they do not end there. They cascade down through the structure of the dynastic order. Everything which had previously been given in the Kingdom of Elohim is either taken back or curtailed…
Parallelism: A Course Correction If you have ever studied Hebrew poetry, you have probably heard its basic poetic feature described as “parallelism.” Hebrew poetry is not metered, it does not rhyme, it does not employ many of the common poetical tropes, but its distinctive (and almost universal) feature is commonly…
In The Crown and the Courts , David C. Flatto traces the development of the idea of judicial independence in Jewish commentaries on the Scriptures – particularly Deuteronomy 17 – from the Second Temple and early rabbinic periods. These periods roughly span 400 BC to 300 AD. Flatto does not…
A curious feature of the Infancy Narratives in the Gospel of Luke is the naming of John the Baptist. When the angel appears to Zechariah, he is instructed to give his promised son the name John (Luke 1:13). On the day of John’s circumcision, Luke tells us that “they [presumably…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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