Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Isaac E. Mozeson, The Word: The Dictionary that Reveals the Hebrew Sources of English (Northvale, NJ: Jacob Aaronson Inc., 1995), 310 pp. Reviewed by James B. Jordan. Once there was only one language in the world, the language God spoke to Adam. At the Tower of Babel, there came to…
2. The Setting of the Book of Esther A. Xerxes (continued from previous issue) Ezra 6:14 says that the Jews finished building "according to the command of the God of Israel and the decree of Cyrus and Darius and Artaxerxes king of Persia." The problem with this verse is that…
This essay goes with our previous study of the Amalek pattern back in Biblical Horizons No. 2. Since many do not have this essay, entitled "The Battle of Gog and Magog," let me cite the relevant paragraphs: Note in Genesis 12-15 that Abram moves into the land after escaping Pharaoh…
Proverbs 7:6-23 is one of several passages early in the Proverbs in which Solomon warns his son about the wiles and dangers of the "strange woman." It is certainly quite proper to take these as straightforward warnings against sexual sins, and these are certainly warnings that need to be impressed…
1. In Luke 4:20 we read that after Jesus finished reading from Isaiah, "the eyes of all in the synagogue were fixed upon Him." This is usually taken in a psychological sense: They were amazed at Jesus somehow. I suggest that, as always, a merely psychological reading is a modern…
2. The Setting of the Book of Esther Up to now we have assumed what we must prove, that the king in Esther is Darius the Great. While Biblical chronologists have usually taken this position, commentators on the book of Esther have often taken others as the king. One view,…
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English fairs in earlier centuries displayed wares and displays from all over the world. At one there was an animal described as “a noble creature, which much resembled a Wild Hairy man” whose main skill was to doff his hat and show “his respects to the Company, and smoaks a…
Much of the moral and political import of Shakespeare’s Henry V is left to the audience’s or reader’s judgment. Is Henry a “pig” or is he the mirror of Christian kings? Is his invasion of France fair or foul? Shakespeare doesn’t show his hand, or not much; and one is…
George Barnam notes the careful structure of Act 5 of Shakespeare’s Coriolanus: “Shakespeare had used this scene structurally to build the tension toward the climactic moment when Volumnia should appeal to her son and prevail. Three appeals are made to Marcius, and Shakespeare’s presentation of them matches in structure the…
A reader wrote to respond to my suggestion that high culture is “sacred” and pop culture “profane,” citing the example of sports. Here’s my response: A football game often is a quasi-religious experience, but I’m not sure we use the same language to describe it. If someone slashed da Vinci’s…
In their “cultural history” of English drama, Simon Shepherd and Peter Womack summarize the argument of Glynne Wickham concerning the divorce of stage and sacred: “The English stage - so the argument runs - was predominantly a religious one until Elizabethan Protestantism forced a separation between theatre and the central…
As Marsden describes it, the growth of neoclassical literary sensibilities developed in part in reaction to the chaos and disorder of the English civil war - following in this regard the development of late 17th century political theory. Orderliness, definiteness, clarity became virtues, while ambiguity, double entendres, and inconclusiveness became…
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