Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stories, frankly all human stories are practically always about one thing aren’t they? Death. The inevitability of death. . . . “There is no such thing as a natural death. Nothing that happens to man is ever natural, since his presence calls the whole world into question. All men must…
Matthew is organized around 5 discourses, which trace out the history of Jesus as a recapitulation of the history of God and Israel in the Old Testament. Jesus first speaks as a new Moses, instructing His disciples on a mountain about a righteousness that surpasses the righteousness of the scribes…
The fall of the Sethites in Genesis 6 is the third fall of mankind, or the third degree of Adam’s original fall. Adam sinned in a Garden against his Father by stealing something he was supposed to wait to obtain. (“Every tree shall be food for you” Genesis 1:29.) Cain…
The recent fantasy film Noah and a slightly related blog comment by my friend Douglas Wilson have stirred up again the question of whether the “sons of God” in Genesis 6 who married the “daughters of men” were fallen angels or the priestly line of Seth. Doug argues for angels,…
The prophecy of Jude concerns apostasy. An illustration of apostasy and its consequences is found in verse 6, which the New American Standard Bible translates this way: "And angels who did not keep their own domain, but abandoned their proper abode, He has kept in eternal bonds under darkness for…
At His death, Jesus is surrounded by a Roman centurion and his cohort of Gentile solders. Matthew doesn't say that any disciples are there. But women are, and so is Joseph of Arimathea, identified as a “disciple” but, as John tells us, a “secret disciple for fear of the Jews,”…
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Consumerism is a popular category of analysis, but what exactly does it mean? How is consumerism or the consumer society different from anything else? Haven’t every economies had producers and consumers? In his The Romantic Ethic and the Spirit of Modern Consumerism , Colin Campbell offers this description of consumerism:…
Bohemians, Featherstone suggests, were the first “true artistic proletariat,” living next to lower class people in low-rent areas of the larger cities, and imitating the lifestyle of the lower classes: “They cultivated similar manners, valuing spontaneity, an anti-systematic work ethos, and a lack of attention to the sense of ordered…
Featherstone isolates three aspects of the postmodern aestheticization of daily life: 1) Artistic movements such as Dada and Surrealism attempt to break down the boundary between art and daily life by turning toilets and such into art objects. This is both an attempt to “dissemble [art’s] sacred halo and challenge…
In a lecture on Tom Stoppard’s Rosencrantz and Guildenstern are Dead, Ian Johnston makes this helpful distinction between existentialist drama and the Theater of the Absurd. “In the Theatre of the Absurd the protagonists are discovered in a world which they do not, indeed they cannot, understand. It has no…
Modernity attempts to spatialize time, and to chart temporally shifting reality in a fixed mathesis. So argues Catherine Pickstock at least. But in this sense postmodernism is hypermodernism. Featherstone notes that MTV “seems to exist in a timeless present with video artists ransacking film genres and art movements from different…
Mike Featherstone, expounding on the “aestheticitization of everyday life” that he claims is characteristic of the postmodern ethos, notes that similar motifs are evident in the early development of the fashion industry: “The intensified place of fashion increases our time-consciousness, and our simultaneous pleasure in newness and oldness gives us…
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