Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The resurrection stories in Matthew, Mark, Luke, and John are among the strangest stories in all of the literature of the world, even among the strangest stories in the Bible. That is true of each Gospel’s accounts individually, but even more of the collection as a whole. On the one…
As a pastor, I’m interested in discipleship. Christians are called to be disciples of our Lord Jesus Christ. Discipleship has everything to do with the disciplines we walk by in our lives. Things like Bible reading, prayer, and fasting are hallmarks of standard Christian discipleship. The basic thrust is that…
Psalm 1 is justly famous among biblical texts. It opens the Psalter, it’s a paean to the life-giving power of the Law, and it beautifully describes righteous life as a stable, fruitful tree. It subtly weaves the contrasting threads of wickedness and righteousness into a succinct summary of biblical wisdom:…
No book is more quoted in Hebrews than the Psalter: there are quotations and allusions to psalms on virtually every page. And many of the quotations are not passing references but closely considered and repeatedly cited as the author of Hebrews develops his central arguments. Much of Hebrews is exposition…
Howard Bloom is a beautiful hypocrite. The author of books in as different subjects as Mohammed, scientific theory, and the cultural upheaval of the 1960s, he professes to be a “stone cold atheist.” Yet in spite of that profession, Bloom obviously writes as a Jew; that is, he writes with…
There may be some debate about who deserves the title “the King of American literature,” but, at least to my mind, there should be no debate over who deserves to be “the Queen” – let’s give the crown to Flannery O’Connor. She is, however, a very unlikely queen. Unlikely, not…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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