Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Platitudes are often sayings whose truthfulness is so apparent, so accepted, and so repeated that they are divested of their power and in fact become the object of ridicule. Their failure lies in their fame, and the contempt they invite is bred by their familiarity. To say that children are…
Click here to download the Translation Here we have the seven-fold Voice of Yahweh, bracketed by two sets of four lines about Yahweh. The central seven-fold Voice section uses "Yahweh" ten times, for a total in this psalm of eighteen usages of "Yahweh" (3 x 3 x 2). The psalm,…
As Adam and Eve walked to the Garden of Eden to meet with Yahweh on their first Sabbath they conversed about the origin and age of the earth. Adam: You know, honey, we spent a lot of time yesterday making preparations for this house, and we still have an awful…
Knowing His paths through Moses and David, in the darkness of the prophets we yet walk in His light. It shall come to pass in the latter days that the mountain of the house of the Lord shall be established as the highest of the mountains, and shall be lifted…
These days, to be “candid” is to be frank, honest, genuine. But the word didn’t always mean that. It used to be the name for a virtue that we don’t really have a name for anymore. Its obsolete meaning is “kindliness”: a disposition to think well of others, a tendency…
Showing page 162 of 309
Showing page 42 of 43
Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
Showing page 2141 of 2212
Your weekly digest for all things Theopolis.
