Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We assume we understand “chapter two” of Ephesians, and therefore generally get the entire Old Testament wrong. We also misunderstand the evangelism in Acts. Our misunderstandings might have happened without Ephesians 2, but the confusion is mutually reinforcing. This confusion (either cause or effect or both) also extends to a…
From the Cucumber to the Cross All creation groans with the pains of childbirth, so the Apostle Paul tells us in his epistle to the Roman church. This is a fact that I believe every living person not only knows, but feels deeply. Something about this world just isn’t quite…
Angela Standhartinger has written about the so-called “house-hold code in Col. 3:18-4:1.” Her introductory paragraph is illuminating. The household code in Col. 3.18-4.1 is the earliest text in the New Testament that calls on women, children and slaves to submit to men, fathers and masters. In many respects this text…
On the Woman Question Strength and honor are her clothing And she shall rejoice in time to come. There’s been, I’m sorry to say, more Discourse. Primarily though not exclusively on Twitter. About the Woman Question, again. So I figured I’d make things a little worse by highlighting an aspect…
How to Spot a Simulation The smartest way to take over the world is to replace it with a fake one. The smartest way to replace it with a fake one is little by little. Part 2 Part 1 can be found HERE . Dirt or gold Another difference between…
How to Spot a Simulation The smartest way to take over the world is to replace it with a fake one. The smartest way to replace it with a fake one is little by little. Part 1 Deception is the common factor in all of Satan’s schemes, but throughout history…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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