Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
First, I love my Christmas songs. This is how I think of it: the season of Advent gets in the way of singing what I want to sing. How can you not listen to Nat King Cole in December? Or Bing Crosby, Harry Connick Jr., and Amy Grant? Even though…
Introduction Imagine the stereotypical American grandparents. Once you have the outline, start filling in the details. What picture emerges? Maybe something like what Ogden Nash said, “When grandparents enter the door, discipline flies out the window.” Or maybe the oft-repeated assertion that it’s the grandparent’s job description “to spoil the…
Hundreds of generations of ancient Israelites grew up as children of Abraham, inheritors of the covenant—the promises of God. These promises were more than nice bumper stickers or framed photos to cover empty space in their homes–these promises were at the heart of their very identity–individually and collectively. Genesis “I…
Aliens and Sojourners When the question “Is there life on other planets?” is asked, even the best theologians can only reply, “The Bible doesn’t tell us.” Well, in truth, the Bible does tell us, but only if we are paying attention. …and there was not a man to till the…
John runs a theme throughout his gospel that bubbles under the surface—Jesus is searching for, and finding, a wife. John launches into the narrative proper with a statement of where he’s going. “On the third day there was a wedding” (John 2.1) is about as good an example of flash…
I have come to believe that a great many people are almost too weak to repent in any very open way. There must first be some level of healing. In some cases, including biblical ones, there is not even any evidence of faith on the part of the recipients of…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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