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Biblical Studies

The Art of Why

“We have a God who hides things because He loves to be sought out, chewed out and found out.” As Christians, we are rightly taught that we must not question God’s Word. The problem is that the Scriptures record many things which appear to have been given to us for…

by Mike BullMay 12, 2015
last-supper
Revelation

Eucharistic Harvest

The book of Revelation is a liturgy. John begins “in the Spirit” on the “Lord’s day” (1:10). Jesus appears, and Jesus tells him to record messages to seven churches, words of encouragement and rebuke, like the call to worship and confession at the beginning of a Christian liturgy. In chapter…

by Peter LeithartMay 7, 2015
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Creation

Maker of Heaven and Earth, (Part 5)

In my previous posts, I looked at the theme of creation as it is found in a sequence of psalms devoted to Yahweh’s Kingship (Psalms 93-100). Among other matters, these psalms declare that when the Kingdom of Israel’s God comes, it is the Kingdom of the world’s own Creator .…

by Stephen LongMay 7, 2015
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Deuteronomy

Paul the Levir

The church in Corinth was a pastoral nightmare. Factionalism, sexual immorality, incipient syncretism, using the church as a stage for self-promotion, and denial of the final resurrection were just some of the problems. In Paul’s first letter to the Corinthian church, he confronts each of these problems directly and in…

by Bill SmithMay 5, 2015
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Covenant

Covenant Structure in Genesis 2

The first chapters of the Word of God have a poetic rhythm. This is used to discredit their accuracy as historical narrative, but the truth is that these same rhythms continue far beyond the book of Genesis. In fact, the later texts shed light on the frustratingly succinct account of…

by Mike BullApril 30, 2015
light-bulb
Creation

Must A Light Bulb Be "Oriented Toward Illumination"?

Mr. Martian: What’s that there? Mr. Edison: (Edison holds up a standard, 60 watt lightbulb). It’s a lightbulb. Mr. Martian: A “lightbulb” you say? What exactly is a “lightbulb”? Mr. Edison: A lightbulb is an object used to illuminate a dark area, say a room. It’s made primarily of filament…

by Gerald HiestandApril 28, 2015

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On the History of Charisms

“T he time has come,” writes Luigino Bruni ( The Wound and the Blessing ), “to rewrite the economic and civil history of societies, taking seriously the civil and economic role of charisms.” It's impossible “to understand either the past or the present situation in European economics deeply (or well…

May 8, 2017

Inequality and Inequality

I n Adam Smith and the Character of Virtue , Ryan Patrick Hanley explains why Smith considered the “inequality of precommercial societies [to be] infinitely more pernicious than the inequality to be found in commercial society.” He does this by demonstrating “how the conditions that afford the powerful with maximal…

May 5, 2017

Blue Arrogance

A t the Daily Beast , Joel Kotkin exposes the “arrogance of Blue America,” expressed in talk of Blue State secession and contempt for Red State Trump country. According to Kotkin, “The blue bourgeoisie’s self-celebration rests on multiple misunderstandings of geography, demography, and economics. To be sure, the deep blue…

May 5, 2017

Theology of Gift

I ’ve quoted this before, often, but it's so good it merits re-quotation. From Luther's 1528 “Confession”: These are the three Persons and the one God, Who has given Himself to us wholly with all that He is and all that He has. The Father gives Himself to us, with…

May 5, 2017
Architecture

Architectural Asceticism

R eviewing Adrian Forty's Concrete and Culture in the TLS , James Hall summarizes the shifting fortunes of concrete as a building material: “Reinforced concrete's global heyday spanned roughly from the 1920s to the 60s, when exposed, cantilevered concrete was all the (modernist) rage. Then a pragmatic and/or postmodernist reaction…

May 5, 2017
Shakespeare

Authentic Shakespeare

D on-John Dugas's recent Shakespeare for Everyman offers a revisionist account of the rise of “authentic” stagings of Shakespeare in the twentieth century. The very meaning of “authentic” changed, as Sally Barnden explains in her TLS review of Dugas's book: “Authentic Shakespeare performance was no longer understood to be that…

May 5, 2017

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