Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I recently heard a tape of a discussion among several Christian writers and political thinkers, and one of the participants noted that it seems that some of our greatest leaders have not been sexually faithful men. Indeed, some have been profligate. Thus, the participant argued, it seems that private virtue…
Eugen Rosenstock was born in Berlin in 1888, son of a Jewish banker. He converted to Christianity early in life, earned a doctorate in law, and served in the German army in World War I. After the war, he became convinced that Western Civilization was undergoing a great change and…
What follows is a brief response to “Tape Set #1: The Passover Argument” in Dr. Gentry's series “Paedocommunion: Faith or Fad?” which purports to be a “reformed response” to those who believe young children should be admitted to the Lord's Table. His sermons are premised on the erroneous notion that…
"Truly, truly, I say to you, when you were younger, you used to gird yourself, and walk wherever you wished; but when you grow old, you will stretch out your hands, and someone else will gird you, and bring you where you do wish to go." Now this He said,…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
The Gospel According to Matthew presents Jesus as a new Moses, which is why there are so many speeches in Matthew and why Matthew focuses on Jesus as Lawgiver. In terms of this, Matthew presents Peter as a new high priest, established by Jesus. The rest of the twelve are…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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