Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mrs. Marguerite Lane of Grand Rapids writes to ask if I have ever noticed a correlation between the eight beatitudes of Matthew 5 and the eight woes of Matthew 23. I confess that I have not. A glance at various commentators reveals that such a correspondence does not seem to…
1. The words of Agur, the son of Jakeh, the burden. The man declares to Ithiel, to Ithiel and Ucal: 2. Surely I am more stupid than any other man, And I do not have the understanding of a man. 3. And I have not learned wisdom, But I have…
Psalm 137 is widely regarded as one of the meanest of the imprecatory psalms. Certainly as we read it it is seems to be a song of pure vengeance. The exiles in Babylon, in grief over the judgment that Babylon has brought upon them, pray for the destruction of that…
In the Levitical law, the priests received two particular portions of each peace offering: the "wave offering" of the breast and the "heave offering" (or better, "contribution") of the right thigh. The purpose of this essay is to attempt to determine the reason why the second of these, the thigh,…
The story of Jesus’ visit, early in His ministry, to the synagogue in His home town of Nazareth is recorded for us in Luke 4:16-30. You may remember that Jesus read from Isaiah about how the Messiah would preach the gospel, care for the poor, work miracles, and bring in…
(The essay that follows concerns a rather touchy subject: how the Lord’s Supper is to be done. I am not writing to insult or offend, but to challenge. To that end I have not "held back" but have "gone ahead" and said what I think needs to be said —…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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