Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
C. S. Lewis tackled what is perhaps the most difficult and oft-heard objection to the Christian God in his classic, The Problem of Pain. 1 “If God were good,” Lewis restates the problem, “He would wish to make His creatures perfectly happy, and if God were almighty, He would be…
There is nothing incongruous about assuming that Jesus lamented over His people on three separate occasions and that on two of those occasions, He expressed Himself in almost identical language. Two lamentations are recorded in the Gospel of Luke and are clearly marked as distinct. They are also expressed in…
In the Anglican Church in North America, the question of women’s ordination to the priesthood continues to be discussed with each diocese left to decide its own practice. A recurring point of debate is how we are to understand the priest’s representative role in the liturgy. Emily McGowin, in a…
The Theopolis Institute recently added two new members to its Board of Directors, Josh Rollins and Sarah Moore. Josh has recently served as Senior Vice President of Corporate Development for MeTEOR Education, and was previously Chief Financial Officer at MeTEOR. He brings a wealth of finance experience, and will take…
Since moving to Englewood, Colorado, I have been blessed to be involved in the nuts-and-bolts practice of Church unity. The pastors here talk about the One Church in Englewood, and mean it. They love each other, pray fervently for each other, and long for the unity they enjoy to spread…
One day, the author Samuel Clemens cut himself shaving. He was an inveterate foul-mouth and on this occasion recited the entirety of his iniquitous vocabulary. When he was finished, his wife, hoping to shock him, repeated every word he said. Clemens responded, "You have the words, dear, but you don't…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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