Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Standing in the narthex at the font, parents joyfully approach with their newborn child. The pastor asks the parents a series of questions that may include their renunciation of the devil and all his works, their faith in God the Father, Son, and Spirit as explained in the Apostles’ Creed,…
And there was a prophetess, Anna, the daughter of Phanuel, of the tribe of Asher. She was advanced in years, having lived with her husband seven years from when she was a virgin, and then as a widow until she was eighty-four. She did not depart from the temple, with…
Get the Psalm 30 Translation here Psalm 30 is a song for the dedication of "the house." Since it is by David, the house would seem to be his palace in Jerusalem. The psalm has an ABA structure, with the B structure being an exhortation to the saints, and the…
I once asked a ferryboat captain if steering a ferry was any different than driving, say, a big semi truck. He looked at me like I had just asked whether a bowling ball fell when you dropped it. “It’s completely different,” he said. “On the river, you never stay pointing…
The key scene in Shakespeare's Much Ado About Nothing comes just after the first wedding scene when Claudio tosses Hero aside as a "rotten orange." He has been tricked into thinking that Hero is unfaithful, and that is an affront to his honor. He won't put her away quietly. He…
Medieval Christianity is in the news. That’s exciting for me as I have a PhD in medieval theology and I teach Ancient and Medieval Church History at Covenant Seminary. Thus I have a little “skin in the game,” as the saying goes. Earlier this week our President made some comments…
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Biblical writers often use "text painting": the form of the text portrays the topic of the text. The first half of the flood narrative describes the rising waters, steadily raising the ark toward heaven. The second half describes the descending waters. At the center: "Yahweh remembered Noah" (Genesis 8:1). Rise,…
A response to Jordan Ballor’s review of my Creator , which was published at Acton.org on August 12. 1. Ballor says that, to avoid pantheism or panentheism, God’s identity as creator must be “relative, secondary, or conditional.” He rightly says that I argue the opposite: “God is Creator” is the…
Jonathan Edwards didn’t think the world is a machine. At the heart of the mechanistic interpretation of Newtonian physics, he discerned, was the notion that “bodies” are (in Robert Jenson’s words) “the sort of thing that either can or cannot act ‘properly by themselves.’” The mechanistic world picture involved an…
Joshua Jipp argues that Paul's Areopagus address contains both critique and propaganda, critique of Athenian superstition, lust for novelty, and idolatry, and propaganda in favor of Christian faith as a more consistent fulfillment of the aspirations of Hellenistic philosophical theology. Much of the critique, Jipp shows, is drawn from Isaiah's…
Cobbling together some notes for a lecture series, I was reminded of Seamus Heaney's little poem, " Anahorish ." The Gaelic name means “place of clear water,” as the first line indicates, and the etymology suggests a place of purity and innocence. Anahorish was near Heaney’s childhood home in County…
In an article in the Harvard Law Review from the early 1980s, Robert cover explores the relation of legal structure and narrative. His analysis has wide-ranging legal, political, and even theological import. Cover states the thesis early: We live in “normative universes,” social worlds that distinguish between right and wrong,…
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